Everything about History Of Animation totally explained
A basic summary of animation: past, present and future
The past
Cave paintings
Early examples of attempts to capture the phenomenon of
motion into a
still drawing can be found in
paleolithic cave paintings, where animals are depicted with multiple legs in superimposed positions, clearly attempting to convey the perception of motion.
Spinning pottery
A 5,200-year old earthen bowl found in Iran has five images painted along the sides. When the bowl is spun, it shows a goat leaping up to a tree to take a pear.
Frieze reliefs
One of the earliest successful depictions of an image in motion is evident in the
Greek era. Ex. A
Parthenon frieze relief which depicts a series of horses that appear to gallop at increasing speeds as they progress.
Another example
was found at the palace of
Ashurbanipal II (884–859 BC) in
Nineveh, excavated under the supervision of the Iraqi archeology professor Liahim Yalemut.
Seven drawings extending over two folios in the Windsor Collection,
Anatomical Studies of the Muscles of the Neck, Shoulder, Chest, and Arm, show detailed drawings of the upper body (with a less-detailed facial image), illustrating the changes as the torso turns from profile to frontal position and the forearm extends.
The magic lantern (1671)
The
magic lantern was classed as the inventor of the modern day projector. It consisted of a translucent oil painting and a simple lamp. When put together in a darkened room, the image would appear larger on a flat surface.
Athonasius Kircher spoke about this originating from China in the 1600s.
Thaumatrope (1824)
A
thaumatrope was a toy used in the Victorian era. It was a disk or card with two different pictures on each side that was attached to two pieces of string. When the strings were twirled quickly between the fingers the two pictures appear to combine into a single image. The creator of this invention may have been either
John Ayrton Paris or
Charles Babbage.
Zoetrope (1834)
A
zoetrope is a device which creates the image of a moving picture. This contraption was produced in 1834 by William George Horner. The device is basically a cylinder with vertical slits around the sides. Around the inside edge of the cylinder there are a series of pictures on the opposite side to the slits. As the cylinder is spun, the user then looks through the slits producing the illusion of motion. No one thought this small device would be the initial beginnings for the animation world to come. As a matter a fact, in present day beginning animation classes, the Zoetrope is still being used to illustrate early concepts of animation.
Praxinoscope (1877)
The
praxinoscope, invented by French scientist
Charles-Émile Reynaud, was a more sophisticated version of the zoetrope. It used the same basic mechanism of a strip of images placed on the inside of a spinning cylinder, but instead of viewing it through slits, it was viewed in a series of stationary mirrors around the inside of the cylinder, so that the animation would stay in place, and also provided a clearer image. Reynaud also developed a larger version of the praxinoscope that could be projected onto a screen, called the
Théâtre Optique.
Flip book (1868)
The first
flip book was patented in 1868 by a John Barns Linnet. This was another step closer to the development of animation. Like the Zoetrope, the Flip Book creates the illusion of motion. A set of sequential pictures seen at a high speed creates this effect. The
Mutoscope (1894) is essentially a flip book in a box with a crank handle to flip the pages.
The present
Stop motion
Stop motion is used for many animation productions using physical objects rather than images of people, as with traditional animation. An object will be photographed, moved slightly, and then photographed again. When the pictures are played back in normal speed the object will appear to move by itself. This process is used for many productions, for example, clay animations such as
Chicken Run and
Wallace and Gromit, as well as animated movies which use poseable figures, such as
The Nightmare Before Christmas and
James and the Giant Peach. Sometimes even objects are used, such as with the films of
Jan Švankmajer.
Stop motion animation was also commonly used for special effects work in many live-action films, such as
the 1933 version of King Kong and
The 7th Voyage of Sinbad.
CGI animation
Computer-generated imagery (CGI) changed animated films forever. The first fully computer generated feature film created was
Toy Story, produced by
Pixar Animation Studios in 1995.
Toy Story proved that companies were slowly making the transition from traditional animation to CGI animation. The process of CGI animation is still very tedious and similar in that sense to traditional animation, and it still adheres to many of the same principles.
A principal difference of CGI Animation compared to traditional animation is that drawing is replaced by 3D modeling, almost like virtual version of stop-motion, though a form of animation that combines the two worlds can be considered to be computer aided animation but on 2D computer drawing (which can be considered close to traditional drawing and sometimes based on it).
The future
Animated humans
Most CGI created films are based on
animal characters,
monsters,
machines or
cartoon-like humans. Animation studios are now trying to develop ways of creating realistic-looking humans. A couple films that attempted this were in 2001, and
Beowulf in 2007. However, due to the complexity of the human body functions, emotions and interactions, this method of animation is rarely used. Of principal complexity is the creation of a convincing human face model. Of secondary complexity but still a modern approach are techniques for the production of convincing hair or cloth movement.
Later this form was tried again by scanning humans into computers such as the movie
Beowulf in 2007.
Film animation
The history of
film animation began in the 1890s with the earliest days of silent films and continues through the present day. The first animated
film was created by Charles-Émile Reynaud, inventor of the praxinoscope, an animation system using loops of 12 pictures. On
October 28,
1892 at
Musée Grévin in
Paris,
France he exhibited animations consisting of loops of about 500 frames, using his
Théâtre Optique system - similar in principle to a modern
film projector.
The first animated work on standard picture film was
Humorous Phases of Funny Faces (
1906) by
J. Stuart Blackton. It features a cartoonist drawing faces on a chalkboard, and the faces apparently coming to life.
Fantasmagorie, by the French director
Émile Cohl (also called
Émile Courtet), is also noteworthy. It was screened for the first time on
August 17,
1908 at
Théâtre du Gymnase in
Paris. Émile Courtet later went to
Fort Lee, New Jersey near
New York City in 1912, where he worked for French studio
Éclair and spread its technique in the US.
The first
puppet-animated film was
The Beautiful Lukanida (
1912) by the Russian-born (ethnically Polish) director Wladyslaw Starewicz (
Ladislas Starevich).
The first
animated feature film was
El Apóstol, made in
1917 by
Quirino Cristiani from
Argentina. He also directed two other animated feature films, including
1931's
Peludopolis, the first to use synchronized sound. None of these, however, survive to the present day. The earliest-surviving animated feature, which used colour-tinted scenes, is the silhouette-animated
Adventures of Prince Achmed (
1926) directed by German
Lotte Reiniger and French/
Hungarian Berthold Bartosch.
Walt Disney's
Snow White and the Seven Dwarfs (
1937), often considered to be the first animated feature when in fact at least eight were previously released, was the nevertheless first to use
Technicolor and the first to become successful within the
English-speaking world.
The first Japanese-made anime film was the propaganda film
Momotaro's Divine Sea Warriors (桃太郎 海の神兵) by the Japanese director
Mitsuyo Seo. The film, shown in 1945, was ordered to be made to support the war by the
Japanese Naval Ministry. The film's song AIEUO no Uta (アイウエオの歌) was later used in
Osamu Tezuka's anime series
Kimba the White Lion. Originally thought to have been destroyed during the American occupation, a negative copy survived and the film is now available in
Japan on
VHS.
Europe
- Animation before film in 20th century.
(External Link)
(External Link)
(External Link)
Puppet animation, Jiří Trnka, the Poetic animation school
Catalogue of Czech animation
Czech animation homepage
1931 - The Adventures of Juku The Dog, first Estonian animated short film
1950s - founding of puppet animation division of Tallinnfilm by Elbert Tuganov
1970s - founding of drawn animation division, Joonisfilm, by Rein Raamat
Article summarizing the history
1908-1925, Work of Émile Cohl:
The first animated cartoon (1908), and most animation techniques: morphing (1909), puppet animation and color animated cartoon (1910), pixilation (1911), first animated series (Le chien Flambeau, 1916).
The 1970 Italian animated cartoon art and industry (La Linea (cartoon), Caliméro...)
The 1977 animated Italian classic, Allegro non troppo, is both a parody of and homage to Disney's Fantasia. This is director Bruno Bozzetto's most ambitious work and his only feature-length animation, although he also directed several notable shorter works including West and Soda, an animated spaghetti western. (External Link)
1910-1913 Ladislas Starevich creates puppet animations
1935 First animated feature film in the USSR, The New Gulliver
1935 Soyuzmultfilm Studio is created, will go on to fund many thousands of short animated films, mostly for kids
late 1930s to 1950s - enforced Socialist Realism in cartoons (with a few exceptions).
1953 Puppet animation division re-founded at Soyuzmultfilm (it was closed shortly after The New Gulliver was released)
1962 Fyodor Khitruk's short film History of a Crime introduces new aesthetic to Soviet animation
1969 First episode of popular series Nu, Pogodi!
1972 First Cheburashka short is made
1979 Yuriy Norshteyn releases Tale of Tales, since then voted twice by a large panel of international critics as the best animated film ever made.
1989 Studio Pilot, the first private animation studio in the USSR, is founded
1990s government subsidies shrink dramatically, while the number of studios grows. Soyuzmultfilm is beset by corruption and banditism, slowly loses its dominant place among Russian studios.
2000s some high-profile animated features are made. Government diverts some funds to animation again. Nevertheless, many studios experience budget shortfalls and have difficulties finishing their ambitious projects.
The Zagreb school, cf. Zagreb Film
The Čakovec school, cf. Škola Animiranog Filma Čakovec
North and South America
World's first two feature-length animated films and first film with sound by Quirino Cristiani(External Link);Quirio Cristiani's page (Spanish)
Early Work
Contributions of the National Film Board of Canada's animation department
Early commercial productions
- Contributions of Canadian voice actor recordings
The 1980s- rise of the major indigenous industry
¡Vampiros en la Habana!
Festival Internacional del Nuevo Cine Latinoamericano
History of United States animation
Beginning of industrial production of animated cartoon.
Because the history of Hollywood animation as an art form has undergone many changes in its hundred-year history, Wikipedia presents four separate chapters in the development of its animation:
» Animation in the United States during the silent era (1900s through 1920s)
» *The beginnings of theatrical, the earliest animated cartoons in the era of silent film, ranging from the works of Winsor McCay through Koko the Clown and Felix the Cat
» *The Bray Studios was the first and foremost cartoon studio, housed in New York City. Many aspiring cartoonists started their careers at Bray, including Paul Terry of "Mighty Mouse" fame, Max Fleischer of "Betty Boop" fame, as well as Walter Lantz of "Woody Woodpecker" fame. The cartoon studio operated from circa 1915 until 1928. Some of the first cartoon stars from the Bray studios were Farmer Alfalfa (by Paul Terry) and Bobby Bumps (by Earl Hurd).
» *Max and Dave Fleischer formed their own studio Fleischer Studios, and created the Koko the Clown, Out of the Inkwell, and Sound Car-Tunes series.
» The Golden Age of Hollywood animation (1930s and 1940s)
» *The dominance of Walt Disney throughout the 1930s, through revolutionary cartoons Silly Symphonies, Mickey Mouse, and Donald Duck.
*The rise of Warner Bros. and MGM » *The Fleischer Studios creation of Betty Boop and Popeye cartoons
*Disney's Snow White and The Seven Dwarfs marks the start of the "Golden Age" at Disney. » *The departure from realism, and UPA
» Animation in the United States in the television era (1950s through 1980s)
» *The emergence of TV animated series from Hanna-Barbera Productions
*The decline of theatrical cartoons and feature films » *Saturday morning cartoons
*The attempts at reviving animated features through the 1960s » *The rise of adult animation in the early 1970s
*The onslaught of commercial cartoons in the 1980s
» Modern animation of the United States (1980s through present)
» *Who Framed Roger Rabbit and the return of Disney
*Steven Spielberg's collaborations with Warner Bros. » *A flood of newer, bolder animation studios
*The Simpsons marks the resurgence of adult-oriented animation. » *The mainstream popularization of anime
*The rise of computer animation » *The decline of Saturday morning cartoons, the rise of Nickelodeon and Cartoon Network
*Cartoon Network's late-night animation block Adult Swim becomes immensely popular and leads to a resurgence in short, adult animation. » *In 2005, Disney closes all facilities for hand-drawn traditional animation, concentrating on computer animation for their feature films
*Kids' WB! ends at 11:30AM in May 17, 2008. » *On May 19, 2008, PBS Kids gets the third season. but, Miss Lori and Hooper is replaced with Miss Rosa and Mr. Steve.
*On May 24, 2008, Kids' WB! is replaced with The CW4Kids.
Asia
The oldest records of animation in Persia (Iran) dates back to 5000 years ago. An animated piece on an earthen goblet that belongs to 5000 years ago was found in Burnt City in Sistan and Baluchestan Province, southeastern Iran. On this ancient piece that can be called the first animation of the world, the artist has portrayed a goat that jumps toward a tree and eats its leaves.
The art of animation as practiced in modern day began in Iran in the 1950s. Iran's animation owes largely to the animator Noureddin Zarrinkelk. Zarrinkelk was instrumental in founding the Institute for Intellectual Development of Children and Young Adults (IIDCYA) in Tehran in collaboration with the late father of Iranian graphics Morteza Momayez and other fellow artists like Farshid Mesghali, Ali Akbar Sadeghi, and Arapik Baghdasarian.
1922 first animation in a commercial Shuzhendong Chinese Typewriter
1926 first animation to showcase technology Uproar in the Studio and acknowledge Wan Laiming and Wan Guchan as pioneers.
1935 The Camel's Dance first chinese animation with sound.
1941 Princess Iron Fan
The first Japanese Animation
Found recently in Kyoto, the film depicts a boy wearing a sailor uniform performing a salute. The film dates back to around the year 1900 and is on 35mm Celluloid, composed of 50 frames put together with paste
Pre-Tezuka experiments
Mushi Productions and Toei Animation
1960s
1970s
1980s
1990s
2000s
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